what happens in our listening rooms

As I walk through the back door of the small building, I hear the low chatter from the group down the hall, feel the familiar warmth that comes with rooms filled with food and conversation.

Tonight is our last meeting and I briefly think back to that night in February when we met for the first time – how I was nervous to come because I only knew two of the people who would be here. And both of them were men.

the listening room

Since then, we have gathered in the downstairs level of this small church, a healthy mix of both men and women – various ages and life stages. But it isn’t for Bible study and it isn’t a class.

There are no experts here.

We come as artists – that is the common ground where we meet. But we aren’t here to sell or showcase our art. Instead, we are here to enter into a safe community of people who are (as the gathering description says) “dedicated to the idea that we can’t do it alone, and that our hurts and egos and insecurities are keeping us from more perfect expression.”

This is The Listening Room, a bench for artists.

Most nights we sit in a wide circle in this basement and have conversation around pre-determined topics designed to uncover the artist behind the art. But tonight is our final meeting, and so they have pushed the long tables together to make a square in the center of the room, spread it with a disposable cloth, set out painted mason jars filled with pom pom tissue flowers.

We share a family dinner, conversation, and our art.

There are guitars and singing, autobiography and novel readings, sketches and paintings, creatures and clay. When it’s my turn, I read a few pages from the last chapter of A Million Little Ways, my book no one has read yet.

We end the night thankful, making plans to gather for a meal again now that The Listening Room is over.

Alone on my drive home, I realize I’m gripping the steering wheel and breathing more shallow than normal. I can’t stop tapping my left leg.

I feel alive and kind of terrified.

What is this? I wonder. Why was that so hard for me, to read my words in front of them? I’m supposed to be used to this kind of thing by now.

It’s true, over the past two years I’ve done a fair amount of speaking in front of people. I’ve given talks and led workshops. I have used microphones.

So why is it that reading my words in a dimly lit church basement among twenty kind artists ushers my body into trembling?

As I drive, words come to mind that offer an explanation for this feeling – they are words I read from someone quoting Brene Brown and immediately it comes to me: this isn’t fear I’m feeling.

This is vulnerability.

In this moment, I recognize the difference, take note of what this feels like.

Fear tells me to run away from connection.

Vulnerability dares me to run towards it.

It turns out the emotional line between those two experiences is fragile and thin.

This is what happens when we create rooms for listening. In these kinds of rooms, people meet on benches and share a common experience. And we stay engaged by being curious over people, the image bearers of God. But for me, in rooms like this, it’s important to share, too.

Part of listening is coming alive in the presence of others as we watch them come alive in our presence as well.

What are the listening rooms in your life? Do you have any? Do you need some?

a letter to a young artist

Dear Young Artist

 

Dear Young Artist,

It feels strange and uncomfortable in a way for me to be writing to you because I feel like a young artist myself. Not in terms of age, but in respect to practice and calling and purpose.

I have so much to learn.

I suppose that is my first point. As you grow into your craft and practice it more, a feeling of competency and arrival will probably never accompany it.

It’s like when I first brought twins home from the hospital – I couldn’t believe the doctors and nurses allowed me to take them. Shouldn’t a responsible grown up be in charge? But I looked around and my husband did too and all we saw was each other.

We didn’t feel capable but we didn’t have time to wait for our feelings to catch up with our reality. There was too much work to do.

If you are waiting to feel qualified, certified or professional, stop. Give yourself permission to work from your smallness, from your humility and your humanity . . . visit Be Small Studios to read the rest of this letter.

My friend Annie Barnett (different from Annie Downs – I love me some girls named Annie) is starting a new series on her blog, Letters to a Young Artist, and she invited me to join in. The series was inspired by this letter written by Makoto Fujimura. I enjoyed writing this letter, though after I sent it to her I thought of about a hundred different things I wish I had said instead. But part of the process is deciding to call something finished even though it isn’t exactly how you want it to be. Visit Annie to read the finished letter.

what a hundred lifeguards taught me about my calling

No matter how much I wish they didn’t, my children love to go to the indoor water park. I can’t think of a worse invention on planet earth. (Besides maybe anthropomorphic rats. And canned cheese).

I have an idea! Let’s build a bunch of slides in a huge, dark-ish gymnasium. Then let’s crank the heat up to 275 degrees and add lots and lots of water. 

indoor water park

For hour upon endless hour, we walk around in our bathing suit without even the perks that bathing suits usually offer. You can’t get a tan because you’re inside. You aren’t motivated to cool off because it’s the middle of winter and you’ve been cold for three months. Not only that, but you’ve just realized your suit is super snug because the last time you wore it was August and now it’s the end of winter and oh yea, I have skin and oh no, it’s white like paste.

The first time we went to one such place, I was all geared up for what they call “fun” – wore my suit, sported my whiteness, braved the Totem Towers. But half-way through standing in line on wet steps with my shivering children, I realized I was miserable. Not to mention the fact that the man behind me was exactly eye level to my be-hind.

As I tried to angle myself into the railing, (both to have some kind of covering from my line-mates behind me as well as to protect my frontal area from the giant bucket of water that emptied itself every sixty seconds), I caught a glimpse of the chair section over to my right.

That’s right, the chair section. Row upon endless row of lounge chairs.

That’s when I realized the secret to the indoor water park, the secret more experienced mothers obviously already knew: don’t wear your bathing suit to the water park.

It sounds lame and party pooper-ish. I know. But this might be one of those times where it is appropriate to pull out the whole I carried you for nine months inside of me so now Daddy has to take you down the water slide.

And so, on our second visit to water hell, I came armed with my new-found wisdom in the form of a Sarah Addison Allen novel and a pair of long pants. Even though it was 275 degrees with air thicker than a Low Country summer, I managed to enjoy myself.

But I couldn’t focus on my book. There was too much going on, too many people to watch. The most fascinating among them were the lifeguards.

For all the ways the indoor water park disappointed me, the lifeguards nearly made up for it. These were no whistle twirling, chair lounging, teenage flirting type of life guards. These people were serious and focused – more special ops, less High School Musical.

First, there were a ton of them. Second, they each had a whistle in their mouths – Popeye style – and an orange life raft tucked under their arm at all times.

But the most compelling thing about these lifeguards was the fact that they were not only always on their feet, they never stopped moving.

It was as if they were each assigned an eight foot length of the pool. No more and no less. They were responsible for those eight feet and anyone who swam within them. They paced their assigned distance back and forth on the edge of the pool, eyes never leaving the water.

It was impressive to watch, as much as I hated to admit anything impressed me at the water park.

Their job wasn’t to watch the whole pool – just their assigned corner. Besides, there were eight more lifeguards spaced out perfectly around the pool, each doing their job, responsible for their small section.

pool chairs

Possibility can be as overwhelming as it is inspiring. At first it can feel terribly exciting to imagine anything is possible. You pin adorable posters in super cute fonts to your dream board on Pinterest and actually believe some of them. Until you sprint flat into the wall of your own limits in the form of lack of time, lack of energy, comparison, competition, and distraction.

Could it be possible we have it wrong? That the gift isn’t in believing we can do anything but in knowing we can do nothing?

Could it be possible that your limits – those things you curse and hate and wish were different about yourself – are not holding you back but pointing you forward?

It seems to me when I finally recognize my inability is when Christ shows up able within me.

But he doesn’t equip me to do every job possible, he equips me to do the job meant for me.

If you’re willing to face your inability, you might see something you desperately need to carry on – your limits can be a gift, showing you what is outside your circle of influence and responsibility so that you may embrace and focus on the small part that belongs to you and only to you.

Could it be possible that the reason we are so overwhelmed is because we are focused on the whole pool, forgetting our eight-foot assignment?

As I watched those lifeguards, a phrase my dad often says came to mind - You just focus on your corner of the pool. 

I know what he means now - You have a job to do and it won’t look like mine or his or theirs. It looks like yours. It isn’t the whole pool, but it’s important. The fact that you can’t cover the whole pool at once doesn’t mean you are a failure, it just means you have the wrong goal. It also means you need other people  around you to do their job, too.

Do you know what is in your corner of the pool? Do you recognize your eight foot assignment?

a book, a post, and a bio for the artist in you

My sister and I have both been writing our blogs for many years now. We often joke with each other, especially after writing a post that took a lot of time and thought, “Welp, my blog is finished! The end. I have absolutely nothing left to say. Ever.”

horse on my laptop

Today is one of those days where I’m not sure I’ll ever have anything to say again. I don’t say that with any anxiety. It happens often enough to where I know it isn’t permanent, but I also know when these days come, the best thing for me to do is to spend some time folding laundry and cleaning my kitchen.

I love those kind of days and I don’t say that sarcastically. Besides, Agatha Christie says the best time to plan a book is while you’re doing the dishes. From the looks of my sink, I will have several books planned by the end of the day.

While I spend some time letting my soul breathe, I wanted to share words from a few artists who have more to say than I do:

1. Matt Appling: Life After Art: What You Forgot About Life and Faith Since You Left the Art Room

“I went to the art room to teach, but found myself learning something profound, unexpected, even life changing: that the art room’s most enduring and timeless lessons are not for kids learning to paint or draw, but for adults who finally want discover how to live the lives they were created for.”

Well, you know that’s a message I can get behind. Matt’s first book, Life After Art, releases April 1. Watch the trailer and reserve your copy of the book. I’ve read it, endorsed it, and recommend it now to you.

Life-After-Art-Sharable4

2. Christa Wells: For the Mother Artist

“There are embers glowing inside you that won’t.go.out even though you have a human critter or two (or five) to care for and really don’t have spare minutes for artistic flame-fanning.

You have a few domestic goddesses in your life and a few childless superstar artists in your periphery, and as my poet-friend Beth Ann Fennelly wrote:

I want membership in both clubs.

If we dedicate heart and soul and all our waking hours, we may at best become “Honorary Members” which feels sort of like a southern “bless-her-heart-she-tries.”

At least, that’s how it feels most days, because there is either:

1. no homemade bread on your counter OR

2. no new song on your piano.  And that, my sisters, is why I write now to YOU.”

She speaks of writing “Held” when she felt small and lonely – and how it counted way before Natalie Grant recorded it. For anyone who struggles with balancing life and art, read this post by Christa.

3. John Blase: The Beautiful Due 

beautifuldue2_sm

John Blase has the best about page description of himself I’ve read in a very long time. Maybe ever. I’ve read it different times as I’ve come across his blog, and every time I read it, I tear up. It’s short  and it’s all about him but somehow, it’s about me too. See if you can find yourself in his words.

on art, fear, and Lady Gaga

Well. That is the last time I will apologize for a high word count post. Thank you for your kind response to my story about my next book. I hope A Million Little Ways will do for you what it has done for me – remind you of the artistic imprint of God on your life and your living.

Still, after writing that post, the familiar feelings of insecurity spent a little time haunting me this weekend. I’ve come to accept that fear just comes with creativity and vulnerability.

I haven’t yet read Art and Fear, but I have friends who have and one of them recently shared a quote that has stayed with me.

art and fear

Watching American Idol last week, Randy Jackson called a performance pageant-y. And I realize for this show, pagenty is not meant to be a compliment. But what if you are in a pageant? Then pageant-y might just be what you’re going for.

And if you’re playing at the Blue Bird and someone says you sang that song American Idol-y, you probably wouldn’t take that as a compliment, either.

You just have to do what you do.

Whenever I feel the familiar tug of fear about myself or others perception of me and my work, I remember Seth Godin and Lady Gaga:

“Do you think it bothers her that I don’t listen to her music and wouldn’t recognize her if she stopped by and said hi? It shouldn’t. Even if you’re a pop star, you don’t need everyone to be a fan or a customer. And especially if you’re not a pop star, worrying about whether everyone laughs at your jokes, buys your product or even likes you is counterproductive.”

Don’t let fear push you around. Accept that what you do might not always be what they expect. Let your work be your best and your own.

a million little ways

This is a post about how a 5 word email turned into a 55,000 word book. I usually keep my posts under 500 words so today is a stretch for me – but it’s also a celebration of sorts. I feel compelled to warn you this is the longest post in the history of the world – or at least in the history of this blog. If you don’t have time to read now – well, come back after that meeting or once the kids are asleep, grab a steaming cup, and settle in with me.

I’ve been sitting here for thirty minutes trying to write this post. Instead, I’ve successfully twirled my damp hair into ringlets and memorized every drop of water on the bushes outside my kitchen window. Don’t you wish you could be as productive as I am?

I am the so the boss of today.

millionOn Monday I wrote a post called how to brush your teeth like a revolutionary. It took me about 20 minutes to write and after I re-read it, I realized those 201 words pretty much summarize what I’ve learned these past two years - basically that Christ’s pursuit of me is more important than my pursuit of anything else.

It’s possible to begin to believe that only the revolutionary pursuits require bravery.

But being brave also means waking up to your today responsibilities (no matter what they are) and then moving into them as the person you most fully are – with all of your unique desire, personality, and creativity.

Sometimes today will mean doing something risky or new.

Most times it just means doing the same thing I did yesterday.

Either way, the point is my life with Christ and his life in me.

Over the past two years, I’ve been slowly uncovering what it means for me to have courage in big and small ways – and that the difference between the two isn’t as distinct as I once thought.

 ***

I started writing about art after getting an email from Annie Downs on New Years Eve 2010. I wrote a post about that email if you want to read it, but the main thing you need to know is I was feeling afraid about 2011 because I was preparing for a year of doing things I had never done before. Annie spoke into my fear as I was feeling it.

She didn’t tell me to run from my fear and for the love of all things good, she didn’t try to give me advice. Instead, she said something that changed my life and the way I’m choosing to live it.

This is what her email said:

2011. We will make art.

Though Annie was referring to writing, the concept of making art had bigger implications for me. Somehow those simple words woke something up inside me – something of hope and courage I believe God puts in all of us. Instead of spending New Years Eve making a list of resolutions, I considered what it would mean to make art in 2011.

I began to work that out in words here on the blog. I didn’t have a plan when I started, I just wrote. What happened next surprised me more than anyone – it was you. You responded with nodding heads, craned necks and shaky hands raised up in the back. You pulled me aside at conferences and whispered notes in my inbox, more, please?

For several months, I explored the idea of embracing your own art – what you have to offer to the world – here on the blog. I wrote in spurts when inspiration hit me. People would say things like, “I’m enjoying your series on art” and I was always a little confused by that statement.

Am I writing a series on art?

A series, to me, implies intention, planning, a beginning and end, maybe even some kind of title or fun graphic. But this writing was just me, finally beginning to embrace my own unique design and wanting to encourage others in theirs.

The more I wrote, the more I started to focus on dreaming big and daring greatly. Quotes like this one motivated me: If your dreams don’t scare you, they’re not big enough!

The only problem was, I wasn’t sure I agreed with that.

 ***

chatting at the sky

For a while, I backed off from the art talk. Not because I didn’t still believe it was important, more because I didn’t fully understand what was so compelling about it for me. I knew my words about art were resonating with people, but I never want to write inspiring things just to be inspiring. I don’t know any other way to explain this except to say I wanted to be sure the words had substance behind them. The art was still there, but I muted it for a while.

Besides, I had other things on my mind.

In May of that year, I went to the Philippines with Compassion.

Two months later, my father in law died.

Six weeks after that, my first book came out on the same day I turned in my manuscript for my second book.

By now I had lived through all the stages of the book writing process – from the beginnings of a stubborn idea to the releasing of a book, as well as all the writing, editing, marketing and promotion that comes with it. I saw what it took to write a book from beginning to end and I was preparing to do it all over again with this second book.

I was not eager to write a third. I assumed after the second one released, I would be finished writing books for a while, if not forever.

Through all that time, a question followed me around: Is it possible to apply the word “art” to the way I live my life and not just the work I produce with my hands? And if it is possible, what would that look like for me?

After a year of thinking, reading, praying, and lots of conversation with my husband, close friends and other family members, I had to honestly admit this art message wasn’t going away and I had to decide what on earth I was going to do about it.

After putting it out of my mind for a while, I could no longer deny Annie’s words on the last day of 2010 meant something to me, not because I’m creative but because I’m human.

In the end (or the beginning, depending on how you look at it) I talked with a literary agent about this idea. I told her I didn’t really know if I wanted to write another book. But through several conversations with her and a lot of time alone, I decided it was time to sit down and figure out if this art stuff could be shaped into a book proposal.

That was January 2012.

 ***

million

My first two books took me about nine months each to write. But the truth is, I was preparing for them for ten years before they became books though I didn’t realize it at the time. I read a ton of books, listened to more sermons and lectures on tape than I can remember, studied huge passages of scripture, and even spent an entire summer taking a full-time course devoted to discovering more about the grace life and the gospel.

My research for those books was spread out over so many years and so much living that when someone asked me how I was planning to research my book, I remember not really having an answer.

But this art stuff? This was new. I had to take serious time to reconcile a spirit-level instinct that God had something to say to me about art with a flesh-level temptation to run for the hills.

 ***

I finally decided I had to write this art book even though I knew it might not work. I managed to write a compelling proposal for it and my now-agent, Esther, pitched it to my publisher who we eventually decided to go with. That was in April of 2012.

The Revell team came to visit in June 2012. Here we are on my front porch: Jen Leep (Editorial Director), Andrea Doering (my editor), me, and Twila Bennett (Director of Marketing)

The Revell team came to visit in June 2012. Here we are on my front porch: Jen Leep (Editorial Director), Andrea Doering (my editor), me, and Twila Bennett (Director of Marketing)

I used to think that writers of books took years and years to write out their ideas and only when they had it perfectly figured out did they decide they might like to get it published. That’s not how it’s been for me.

I felt like I had a couple of certain pieces for this book. But I had no guarantee I would be able to figure the whole puzzle out. Not only that, I also wasn’t completely convinced it was a puzzle at all.

What if it was a beach ball? Or a high-heeled shoe? And all this time I’m looking for a puzzle?

Oh the humanity.

 ***

edits

I spent this past summer and fall fighting with myself, struggling with courage, feeling brave then getting scared. I finally turned in the manuscript in December and the first week of January, I got it back from Andrea with a message that basically said this:

You’re close, but you haven’t found it yet. Keep going.

By this time, we had a title and a cover for a book I hadn’t finished. And when I say “by this time” I mean January 2013. That was just two months ago – a full two years after I first started exploring this topic here on the blog.

After spending some time with my edits in the early weeks of this year, I got to a point where I just couldn’t fight alone any more. I had a few close friends and my husband in the ring with me, but this felt too big and the voices of discouragement were too loud for me to find the courage I so desperately needed to finish.

I did something I have never really done before – I asked for prayer on my Facebook page on January 17:

facebook january 17

Something clicked after that. Having you speak into my fear reminded me who I was writing this book for. I realized I had been writing to the critics more than I was writing to the reader.

I realized I was afraid to say some things with conviction for fear of changing my mind in five years.

I also realized there is a time to be silent and keep your art a secret, but there is also a time to admit you need help.

That time had come for me.

We don’t just accept our callings once and for all. We have to continue to admit what we are called to do and move with courage toward that calling in different degrees throughout our lives. This was one of those moments for me – I finally opened my arms up fully to my calling, wider than I have before. I agreed that for all the things this book might be, at least it wasn’t going to be wimpy.

It’s as if I had to go through the entire experience in order to come back around to where I started – but this time I wasn’t just talking about the importance of uncovering your art and releasing it into the world.

I was living it.

 ***

Two weeks ago, I turned in my manuscript (for the second time) for what we have affectionately been calling The Art Book. I was proud of my work and hopeful Andrea would be, too.

She wrote me back just last week and confirmed what I desperately hoped was true: I finally found this art book.

Million Little Ways

a million little ways . . .

The first thing we know about God is that he made art. The first the we know about people is we were made in the image of an art-making God.

Now when I read quotes like this: If your dreams don’t scare you, they’re not big enough! I am still inspired, but I also now know the size of our dreaming isn’t the point.

The size of our God is.

Christ’s pursuit of me is more important than my pursuit of anything else.

I don’t care if you’re the President or the janitor – your ability to bring glory to God by simply being the person you fully are and embracing the job you’ve been given to do is a uniquely human privilege.

Christ is in you and he wants to come out through you in a way he won’t come out through anyone else. You have been given your two hands, your sick parents, your rotting back door. You have been given your extra deadlines, your diagnosis, the children at your table.

But you have also been given your sense of humor, your skill for writing, your passion to bring light to dark places. You have been given a heart for orphans, for animals, for food or for the poor.

You have been given your life, what you hold in your hands, the ground beneath your feet. You have been asked to show up. How do I know? Because you were born. Show up as you are, not as you think you ought to be.

Don’t run from your calling, no matter what it is.

If you don’t know what it is? Maybe this book will help you uncover it.

There isn’t one great thing you were made to do. There is one great God you were made to glorify.

Throughout your life, you’ll do that in a million little ways.

***

And with that, I confess to you that this post has been the hardest post in the history of Chatting at the Sky for me to write. I never want to assume you want to know all these kinds of details and to write this much about the process feels a little self-indulgent. But if I refused to share this part, then it wouldn’t be fully honest or fully me.

I don’t write as an expert – I’m not sure there is such a thing in deep matters of the soul. I write as a fellow image bearer, an intuitive observer and participant in the art of God.

I see artistic potential in not only those pursuits the world would label artistic like painting and singing and dance, but also in small gestures done with great faith, like listening, waiting, and showing up.

There is an art alive within you and you don’t have to go anywhere to find it. Because the art alive within you was woven into the fabric of your soul when you were made in the secret place. Doubt, discouragement and distraction may be covering it up, but that doesn’t mean it isn’t there. When believers embrace the unique shape of their soul and move into the world as the person we most fully are, art comes out.

***

Million Little Ways

Thank you for being such a kind and encouraging community of readers.

I know this post is so insanely long, but it was important for me to let you know that the art series will continue in book form!

And the series I didn’t even mean to write finally has a name:

A Million Little Ways.

If I had my way, I would wait until the end of the summer or early fall to tell you about this book, but publishing and catalogs and sales reps wait for no man (or woman)

It’s been listed on Amazon for a few weeks now so I figured I needed to go ahead and tell you the story.

If you want to reserve your copy, it’s now available for pre-order! The book will release in November.

And one last thing . . . If you ever get an email from Annie Downs, don’t open it unless you are prepared to write a book.

how to brush your teeth like a revolutionary

March

The greatest pursuit is not to chase a dream, free the slaves, build the wells, feed the hungry, save the children or fight for equality.

The greatest pursuit is Christ.

And it isn’t even my pursuit of him, but his pursuit of me.

Let yourself be captured by the love of God, so that you may chase your dream, free the slaves, build the wells, feed the hungry, parent the children and fight for equality.

But even the revolutionaries have to brush their teeth.

Christ is not just with you, but he lives within you. And together you make the bed, wash the dishes, finish the paper, pack the bag, work on the taxes, comfort the baby, and take out the trash again.

He is before all things, and in him all things hold together – his energy empowers the radical endeavor as well as the morning conversation. There is no big or small – there is only Christ in you, your hope.

“Feed on Christ, and then go live your life, and it is Christ in you that lives your life, that helps the poor, that tells only the truth, that fights the battle and that wins the crown.”

Phillips Brooks

what happens when an artist chooses generosity

It was a long day of filming the Try Hard Life series in Charlotte. Several friends and family members were gathered there for the day to help us pull it off. We took a break for lunch.

As I tried not to spill salsa on my pants, I listened to Dad and Reeve talk in the kitchen about how her dad makes guitars. They talked more about music and he asked if she writes her own songs.

She said she did and he asked her what she likes to write about.

And then, the question musicians always hear, and depending on their personality, they either long for or dread:

Would you play a little something for us now?

Her face turned red and she smiled small, shrugged her shoulders and looked around the room. Was she waiting for someone to object? No one did.

We had the time and my brother in law had an old guitar. She settled in to her place on the sofa and we continued to eat as she began to strum.

Time stopped a little and we held our breath. Lucky for you, the camera was rolling.

Reeve singing Night Owl.

Reeve took us on a four minute trip into her soul. We were quiet there at the end simply because we hadn’t come back yet.

She could have said no, but I think she would have regretted it. We would have regretted it, too.

When an artist chooses to be generous, everyone wins. Even though she wrote the song about her own life, we could all somehow relate to it. The more personal you are with your art, the more generally it applies to those who are there to receive it.

It seems counter-intuitve, I know.

Add more of yourself to your work – more of your personality, preferences, and desire. The more we see you, the more we’ll see ourselves.

Go here to learn more about Reeve’s music.

one thing we’re waiting for (and why it’s time to stop)

Real talk. Last night I had a dream that the people in charge of the Women of Faith conference called (in my dream, they were called Women of Courage, but I’m going to go ahead and make an assumption) and they wanted me to join their lady tour.

And y’all? In my dream, I really wanted to do it. As in, I called up Jennie Allen and was all Wussup, girl?! Because I’m cool like that.

When I woke up and realized it was a dream (and also Women of Faith, not courage) I took a little time to figure that dream out.

I realize there’s a risk in telling you this dream because now I worry you all think I harbor a secret desire to speak in arenas.

I do not. But there was something about that dream that I couldn’t shake after I woke up.

I met someone once who is all dreamy (as in, she studies dreams, not that I want to date her) and she said the main thing to pay attention to in a dream isn’t so much every detail, but the overall feeling of the dream.

And so when I woke up after that Women of Faith dream I was struck with the feeling that lingered with me — it was the feeling of being picked.

Sometimes don’t we just want to be picked?

I know you think I’m gonna be all, But God picks you!

I’m not. I mean, God does pick you. He totally does. But there is sometimes a disconnect for me between God picking me as a child he loves and God empowering me to make an impact in the world around me.

My husband went to hear Seth Godin speak in Tribeca this past summer and you know what the theme of his talk was?

Pick yourself.

It’s an important message to me. Because even though I know as a believer that my identity is solid in Christ, if I don’t decide to believe it for myself then it won’t impact the way I love, the way I live, or the way I work.

This past year I’ve struggled through the writing process more than I’ve ever struggled before. I’ve been working through a lot of self- doubt and discouragement and it’s affected my writing voice – somewhat here on the blog, but more so in the book I’ve been working on.

Two years ago, Seth wrote a post called Reject the Tyranny of Being Picked:

“Once you understand that there are problems just waiting to be solved, once you realize that you have all the tools and all the permission you need, then opportunities to contribute abound. No one is going to pick you. Pick yourself.”

When I filter that statement through the reality of my life in Christ, it becomes even stronger. Have I been given a spirit of power, love, and a sound mind? Yes? Then what else could I possibly be waiting for?

Last weekend, I wrote this for you in my weekend post:

Go ahead and take time off from your self-doubt for the weekend. May the break be so freeing that you decide to make it permanent.

You know why I wrote that? Because I desperately needed to hear it. And I took my own advice after that. I made it permanent.

I decided that the self-doubt isn’t really working for me.

I decided that this book I’m working on for you is important.

I decided to have courage because really, what have I got to lose?

I picked myself.

What about you?

for your weekend

May your weekend be filled with courage. May you choose to honestly confront the competing voices in your head, and may you decide today to listen only to the true ones. Go ahead and take time off from your self-doubt for the weekend. May the break be so freeing that you decide to make it permanent. Enjoy your weekend, friends.

Recommended for your weekend:

  1. This Might Not Work by Jeff Goins, in which he interviews Seth Godin
  2. Conclusion of The Same Page Book Club Q & A: Here’s where readers asked questions after they read Grace for the Good Girl and I did my best to offer answers. Ish. Also includes some books that served as resources for me when I wrote the book.
  3. How Grief is Changing the Way I Live by Kristen Welch at We Are That Family
  4. I Feel Like My Heart Might Burst also by Kristen Welch at We Are That Family – I love the way the full spectrum of the human experience is glimpsed in these 2 short posts – the deep satisfaction of joy and connection, as well as the profound impact of loss. Read them both.
  5. Simple Mom Podcast: I joined Tsh this week to co-host the Simple Mom Podcast. We talked about writing, books we’re reading, and synesthesia (seeing letters and numbers in color). Fold some clothes and listen in.
  6. Grace for the Good Girl Book Club: One ends, another begins! Join Kat on Thursdays at Refeathered Home for a study of the book! They are only on week 2 so it should be easy to jump on in.
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