why your first thought doesn’t always come first

The first time I ate lunch by myself at a fancy-ish restaurant, I was in my late twenties. I showed up with myself and a book for company and the waiter asked me when I walked in, “Party of one?” Yes, please. Party of one. And it popped in my head as I’m telling you now, happiness, party of orange. It doesn’t make sense and if you asked me how it felt to eat lunch alone that day, I would say something like “It was nice!” But happiness, party of orange is what I really thought. I translated it for you – nice.

Natalie Goldberg says first thoughts have tremendous energy. These are the things we actually see and feel before our rational and logical selves edit all our first thoughts out. In other words, there are things we think we should see and feel, and those are the things we say out loud rather than what really is. And sometimes it takes time to uncover what our first thoughts are.

Every time I hear the title of her book, Writing Down the Bones, I picture a quill pen moving hand-lessly down the spine of a skeleton.  I haven’t finished it yet, evidence of my horrible habit of reading 10 books at a time. But what I’ve read, I’ve swallowed up whole without chewing. Her thoughts on writing make my eyes big and my heart hungry.

In her chapter called First Thoughts, she introduces the timed exercise common in writing practice where you make yourself write for a specific amount of time. The only rules?

  • You can’t stop
  • You can’t cross out
  • You can’t worry about punctuation or grammar
  • You must lose control
  • You must not be logical
  • If something comes into your writing that scares you, you must dive right into it.

It frustrates me how difficult this exercise is. It should be easy because there are no rules (except the rule that there are no rules). But it isn’t easy, at least not for me. That type of exercise is something I would do in private because it often takes me some time to uncover my true thoughts about things. But the gift of that writing exercise is that it gets me to honest places, places I haven’t always felt free to explore. Isn’t that interesting? It takes time to uncover my first thought. First thoughts can be scary, weird, raw, and sacred. We have to wade through the muck of our own manners to be able to look them in the eye without blinking.

And so I’m taking a bit of  a risk today in asking you for a first thought – after all, I just told you it often takes time to arrive there. But I’m thinking a lot lately about art and life and living, and I’m looking for words that help describe it, words that perhaps hold more weight than my rational mind will allow. Might you be willing to join me in the thinking and give yourself permission to answer this question in the most honest way you can? Here’s the question:

When you are doing that thing that makes you come alive, or living your life in a way that pleases you, what words or phrases come to mind that describe how it makes you feel? I’ll answer in the comments.

we don’t want your loveless art

Sometimes other people’s art – their plays, their food, their books, their beautifully inspired work – walks next to me like a comfortable friend. I am open to his influence, small in her presence, and happy to be so. When I am free and in good places, I trust her art and look to her to learn more of myself.

But there are those other times when their plays, their food, their books, and all that beautifully inspired work stands heavy on my chest. And just when I find a way to breathe shallow under the weight of it, when I squeeze out an extra hour of work, when I think I’ve got a crazy wide-eyed plan to catch up, they start to jump on my rib cage with all their successes.

Instead of a friend, their art becomes the enemy and I’m certain their good work guarantees I will never work again. The more I think of how much they are shipping and launching and producing and unveiling, the less I’m able to breathe.

When the art others make begins to terrify rather than motivate, it means you are normal. But if you want to create art that matters, something has to change. And the number one thing that works for me is to stop.

The art has become too important.

It seems counter-intuitive to stop just when you’ve convinced yourself you are already so very far behind. But stopping is really the only answer, because to carry on is to become a maniac work-aholic. To carry on is to worship the art rather than the Artist with a capital A. To carry on is to be pushed around by fear.

Fear drives out the love. When you work from fear, there is no love in your work. And we don’t want your loveless art.

So give the world and yourself a gift, and stop.

You are the beloved. So take some time to be the loved.

The fact that you need time to be the loved means you are human. And we want art that comes from human hands inspired by a capable God. Otherwise you will make mediocre art at best. If mediocre art is your goal, you can most definitely achieve it. Along with maybe a heart attack.

Here are 14 ways to make mediocre art – I wrote these last year but they came to mind again yesterday and I thought they were worth repeating. Be the loved, friend. It really is the most important thing.

we don’t want your obligation

There is a covert bully who has launched a full-out attack on you. You don’t notice him because he disguises his voice with one that sounds like your mother, your friends, your co-workers, you. He pushes you around in guilt and fear and you listen like a robot, doing things you don’t want to do.

The bully is Should, and it’s time to slay him dead.

How many hours have you wasted worrying about things you should be doing? How many harsh words have you spoken, not against injustice, but because you were frustrated over not living up to an expectation? Do you really want to color-code your closets or do you just think you should? Did you really want to hand-make those Valentine’s cards? Do you really want to cook a five-course meal for your in-laws? Do you really want to finish those baby books? Do you really want to clean the grout with a toothbrush?

Does this mean we don’t have to clean our house? Go to the dentist? Grocery shop? Are we being selfish if we think about what we truly desire? We have learned that being a grown up is simply learning how to be okay with shoulding on ourselves. When we were kids we naturally knew how to follow desire but now that we’re grown, we have learned to fill our days with responsibilities that we don’t like. But that’s life! you say.

Really? Because the Bible says life is Jesus.

And Jesus, who is life, says this about life: I came that they may have life, and have it abundantly.

So what about the illness of loved ones, the disabilites of our children, the disparity in the world? There are so many difficult situations and heartache in the world around us, people who need our hands, our commitments, our love. So why do we insist on killing desire slowly by volunteering for committees we care nothing about?

Save the passion for the people. Save the serious for the things that truly move you. Sit heavy on your hands and raise them only for those things you can’t not step up for.

Duty is much more efficient. It is linear, easy to make a case for, quick to convince. Desire takes risk, time, discovery, curiosity. There is no formula, no proven results, no guarantees. Desire is desperately inefficient. And so is love.

You are loved. You have been given love. Love lives in you. Instead of listening to Should, let love move you with grace and intention into the world. As Thomas Hart says in Art of Christian Listening, “Wants are mine; shoulds are somebody else’s.” Care enough for the people in your life to choose those things that make you come alive. Take time to figure them out. Let the Lord speak. Let your heart speak. Let your life speak.

What would happen if we were brave enough to listen to our own desire? What if it was God’s idea from the very beginning to give you particular desires for particular things to fill a particular purpose? What if ignoring the voice of your desire is actually ignoring the voice of God?

what to do with crazy ideas

“To me this award means a lot because it shows that the human element of making music is what’s most important. It’s not about being perfect, it’s not about sounding absolutely correct, it’s not about what goes on in the computer. It’s about what goes on in [your head] and what goes on in [your heart].”

- Dave Grohl, after Foo Fighters won a Grammy for Best Rock Performance

Well, that’s easy to say while you’re holding a Grammy. Still, he’s right. With the exception of Adele, nobody performed perfectly at the Grammys last night. Perfect wasn’t what got them there. But there they were, in all their imperfect glory, at the Grammys. Performing. I watched the red carpet pre-show, too. (I have a cold. The Man took the kids to dinner. I was alone and in control of the remote). On the red carpet, an interviewer asked someone (The Civil Wars maybe? The faces are fuzzy. Gracious, I could never be a journalist) what their secret is. Their answer? We just keep chasing our craziest ideas.

Crazy ideas don’t always mean a ticket to the Grammys. But maybe tickets to the Grammys only come to those who first chased a crazy idea. Same goes for the Oscar winner, the moon-walker, the airplane-flier, the actor president, the single mom with a little book about a boy wizard named Harry. And then there was the pregnant virgin, the shepherd king, the baby Savior, the clear water turning merlot red while the guests laughed and danced into the night.

And then there is you. What is your moon, your airplane, your boy-wizard book? What is your brave lyric, your odd first chapter, your new business motto? What is your crazy idea? No, not your perfect idea. Not your logical, well-planned, power-pointed practical idea. There’s a place for those, too. But lots of times the most logical ideas start out crazy. What is your crazy idea and what should you do with it?

Maybe you should chase it.

making the most of creative time

You run from school to store to post office and finally back again. And when you get home, you realize you finally have hours to yourself. Hours. This does not happen often. There are many things you could do, many task-y important-ish things. But you long for more, to touch the invisible face of inspiration in some new and different way you haven’t quite been able to yet. You want to make the beautiful.

So here you are, Time finally looking happily your way, stretching out next to you with his hands tucked lazy behind his head. And you watch as he turns his face up to the sky, eyes closed to the warm sun, and asks what you’ll do with all of his present attention. You’re so baffled that he’s come, so amazed that you actually have the time to do something that all you can do is sit next to him in wonder.

Those of us who have been creating for any amount of time have read the books and know the ropes on how to maximize our environments for creativity. If you want to create something new, don’t check your incoming while you’re trying to do it. (shut off email, Facebook, twitter and the like.) Don’t try to be an editor and a creator at the same time. Refuse to be your own interruption. Fight the resistance. Quiet the inner critics. Write like a mad woman.

But what about when you do all these things, you’ve set the environment up just right, and still you are met with an impenetrable wall of discouragement? Yesterday I was sure my creative days were over and any chance of me ever having anything worth saying again was not only lost but killed flat dead on the ground, limp and lifeless and puny. You know how that goes. When you long for time to write or create, you have exactly 47 billion things to say. And then when the time finally comes, you sit and push out all distractions and you got…nothing. Again, it isn’t that I didn’t have any work to do. I have plenty. But my galleys for book number two won’t arrive until next week and a few other things I have going are at a stopping place for now.

There is so much talk of productivity, of focus and make your art! and don’t waste time! There is pressure, and not a small dose of it, to take the time you have been given and make the most of it. Or find the time you don’t have and beat it into submission. I have done this. I know how to boss time around. I know how to do the work.

But maybe it isn’t a bad thing to let yourself lay back on the wide green earth with Time by your side, stare up at the same bright sky, and let yourself be. There is every temptation to strangle him into productivity and make him work for you since you have so much of him right there. But some days he doesn’t bend easily. You might do well to relax and give up the fight. And to reconsider what make the most of it means anyway.

when the critic speaks

There is a critical voice that speaks to you, maybe even right now. You may not notice because you’re so used to it, but most of us can pin it down if we pay attention. Sometimes it’s a voice that sounds eerily like our own. Other times we are blessed to have our critics speak out loud and in our face. Oh look, she’s being sarcastic – said those of us with critics are blessed. No sarcasm here, friend. Because something happens when the critic speaks up, something that perhaps can’t happen any other way.

When the critic speaks — dismissing our art, narrowing eyes at our carefully thought-through choices, misunderstanding our intent — he reminds us of all the reasons we were afraid to move in the first place. And for a bit, we are paralyzed by the fear of ever moving again. One wrong move, and they could start pointing.

It isn’t a thicker skin that I need. Don’t paint me word pictures of wet-backed ducks, water rolling off feathers. Don’t  give me a lecture on sticks and stones. The words of the critic sting. And I want them to sting because the sting means I am alive, human, frail. I used to wish I were made stronger, tougher, more naturally resilient. But the critical voice is teaching me my humanness, and that is not a bad thing.

In fact (oh, the hilariousness of this!) the more I confess my frail humanity, the louder I hear the sound of another voice rising up in me, one that has some weight behind it. It is the voice of Hope, and I know it’s Jesus but sometimes I make Hope a girl because she just feels feminine to me. And she speaks with courage and a bit of a laugh. Because when those things we most fear will happen actually happen, we have a unique window of opportunity to take inventory of the battle field in the aftermath. And we look around, blink our eyes, listen to the quiet and think to ourselves, I am not dead. That did not kill me after all.

How could it? If I say I’m a believer (and I am) and if I believe the Bible is true (and I do), then I have already died to that old life, the one that gropes and clings to assurance and acceptance the world has to offer. And so if I have died with Christ and been raised to life in Him, how can I die again at the hands of the critic? What have I to fear if death is no longer a risk?

The critic carries gifts he never meant to bring, motivation he has no awareness of. The voice of the critic forces us to face our biggest fears, and in so doing, listen for the voice of God. If we dare to believe Him, if we dare to believe His dying and rising back up apply even in this, we can then be oddly, ironically, deliriously free.

“And since we died with Christ, we know we will also live with him. We are sure of this because Christ was raised from the dead, and he will never die again. Death no longer has any power over him.”

Romans 6:8-9, NLT

the eternal struggle in the artist’s mind

For the days when you want to push a button and have your kitchen self-clean, want to walk out the front door and not stop until you hit water, want to curl up in a ball on the couch with a heated blanket, a bowl of ice cream, and a ten-high stack of your favorite fiction books – know that you are not alone.

For the days when you are so inspired by your art that you see sparks, when tears come just because this life is a miracle, when  you see the beauty in the mundane and ridiculous – know that we need your perspective. And tomorrow, so will you. Write it down.

For the days when you want to throw your laptop in the trash, want to put your art in a safe place, want to hide under a cloak of invisibility and hope no one notices –  know that you have the freedom to hide if you want. But is that really what you want?

For the days when you desperately need a break, when you want silence more than chocolate or sleep, when your soul flails about inside you for a breath – take one. Breathe deep the mystery of Christ, receive his favor of you, be loved.

There is a difference between hiding and resting. When we hide, we are afraid. When we rest, we are wise. It can take time to figure out which one is at work. But once we notice the signs, we’ll know for next time.

It was a pleasure to read your comments yesterday. Out of the many who spoke up, not one person said, No, I am not an artist, I don’t want to be considered an artist, and I have no idea what you’re talking about. Pass me a calculator. Maybe it’s just because of the type of people this blog attracts, or maybe those who feel that way simply don’t speak up. Or maybe we’re on to something.

Maybe we know that when we were woven together, He wove art into our beings. He made hands that want to shape both clay and hearts, eyes that long to see beauty even in the midst of chaos, spirits that long for eternity with such desperation that we will stay up way too long and get up way too early just to try to turn a phrase or write a lyric that will capture the smallest glimpse of heaven. We are made with intention, purpose, heart. O Lord, may we receive your making of us so that we may make art with our lives in response.

If you simply haven’t heard me talk enough (and surely you are tired of my voice by now), today is the third and final interview with Bob and Audrey on My New Day in Winnipeg. Our Canadian friends can watch on their TVs later today and the rest of you can watch all three interviews online. They may only be available for a limited time. I’m just glad my high school girls helped me pick out my clothes. Hallelujah and Amen. PS. I’m sure I used that apostrophe wrong in the title. Tell me I didn’t. Amen again.

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